PostSecret raises a number of questions for me, specifically how the community art project reflects our current culture of confession. In particular, my work has focused my attention on youth and I often wonder how the current state of media might have affected the success of a movement like PostSecret.
Growing up, I remember watching the first seasons of The Real World and Road Rules on MTV (yes, I’m that old) and was always entranced by the confessional monologues. As a teen, the confessionals possessed a conspiratorial allure, for I was now privy to insider information about the inner workings of the group. However, looking back, I wonder if this constant exposure to the format of the confessional has changed the way that I think about my secrets.
The confessional format has become rather commonplace on the slew of reality shows that have filled the airwaves of the past decade and the practice creates, for me, an interesting metaphor for how Americans have to come to learn to deal with our struggles. As confessors sit in an isolation booth, they simultaneously talk to nobody and to everybody; place this in stark contrast to the typical connotation of “confession” and its associated images of an intimate discussion with a priest.
PostSecret, in some ways, is merely a more vivid take on this practice of reality show confessions; we hold our secrets in until we get the chance to broadcast them out across the interwebs. We oscillate between silence and shouting—perhaps we’ve forgotten how to talk? As Shannon mentioned, we might tend to our secrets, keeping them safe because we derive our identity from the things that we hide. We are desperate to make connections, to find validation, and to be heard.
Connection and validation are things that PostSecret definitely provides, but the development of the Voice is perhaps the reason that I am simply in love with the project. In its own way, PostSecret allows participants to declare and refine their identities but also allows individuals to see that their voices matter and are heard. I often work with young writers and one of the things that strikes me the most is that many of these children do not believe that they have anything to say or that no one cares about their point of view. Breaking this preconception takes some time, but some students are able to realize the unique power that they wield and leverage their Voices to create potent statements.
Should you find yourself with five minutes to kill, I encourage you to head over to the blog. Seeing the secrets presented on the site have changed my life.