Thoughts from my study of Horror, Media, and Narrrative

Stay Classy

So although class and immigration are not necessarily my areas of expertise, I’m going to go ahead and give this one a shot with the caveat that I have not done extensive amounts of outside research.

In and of themselves, class and immigration exist as two fairly large and complicated issues in contemporary America. Looking at the current state of politics, it seems hard to ignore either with proclamations of “class warfare” flying, Occupy Wall Street (not to mention events occurring in major cities around the world, Sesame Street, and Education), the 99%, the 53%, the Dream Act and immigration legislation…the list goes on and on. We can employ the CASI model from last week to begin analyzing the question in terms of economics and politics but I also notice that students in our session spoke to notions of cultural capital.

Although there is a rich history on the subject, I encourage to students to think about how cultural capital represents one of the ways in which one can compare differences in class/immigration status.

Stolen from Wikipedia

Cultural capital (Frenchle capital culturel) is a sociological concept that has gained widespread popularity since it was first articulated by Pierre Bourdieu. Bourdieu and Jean-Claude Passeron first used the term in “Cultural Reproduction and Social Reproduction” (1973). In this work he attempted to explain differences in children’s outcomes in France during the 1960s. It has since been elaborated and developed in terms of other types of capital in The Forms of Capital (1986); and in terms of higher education, for instance, in The State Nobility (1996). For Bourdieu, capital acts as a social relation within a system of exchange, and the term is extended ‘to all the goods material and symbolic, without distinction, that present themselves as rare and worthy of being sought after in a particular social formation (cited in Harker, 1990:13) and cultural capital acts as a social relation within a system of exchange that includes the accumulated cultural knowledge that confers power and status.[1]

Those researchers and theorists who explore or employ Bourdieu’s theory use it in a similar way as it was articulated by Bourdieu. They usually apply it uncritically, and depending on the measurable indicators of cultural capital and the fields within which they measure it, Bourdieu’s theory either works to support their argument totally, or in a qualified way. These works help to portray the usefulness of Bourdieu’s concept in analysing (mainly educational) inequality but they do not add anything to the theory.

One work which does employ Bourdieu’s work in an enlightening way is that of Emirbayer & Williams (2005) who use Bourdieu’s notion of fields and capital to examine the power relations in the field of social services, particularly homeless shelters. The authors talk of the two separate fields that operate in the same geographic location (the shelter) and the types of capital that are legitimate and valued in each. Specifically they show how homeless people can possess “staff-sanctioned capital” or “client-sanctioned capital” (2005:92) and show how in the shelter, they are both at the same time, desirable and undesirable, valued and disparaged, depending on which of the two fields they are operating in. Although the authors do not clearly define staff-sanctioned and client-sanctioned capital as cultural capital, and state that usually the resources that form these two capitals are gathered from a person’s life as opposed to their family, it can be seen how Bourdieu’s theory of cultural capital can be a valuable theory in analysing inequality in any social setting.

In many ways, cultural capital is encapsulated in the types of things that one just knows as a result of one’s upbringing. Knowing how to voice one’s political opinion, how to navigate city government, and blend into the public are all forms of cultural capital and I would suggest that it is fruitful for students to contemplate how their sense of accrued cultural capital intersects with power.

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